Traditionally focused around portraiture, the Panels are 2 framed. They have a front and a back, dissimilar to the Leaves, which are 3 dimensional works using 1 image. The Panels tell a story that the Leaves do not. They are a sculptural locomotion in photography terms. They are opaque and far simpler in process and technique, yet carry the same sculptural interaction as their sister Leaves.
Some influences artistically are meant to quietly influence rather than take the stage. The Panels are reminiscent physically in their presentation and execution to some of Peter’s other works, yet they explore a different process. The opportunity of 2 dimensions is that of the locomotion and the time old question of photography: What is the next frame?